Happy Valentine's, all. I've been busy here with the finishing process of the film. We've been going over the final sound and picture tweaks and prepping for - and screening - the DCP, digital cinema package - which is what theaters get from the filmmaker to screen the final film.
We've screened it twice on the big, first at the Variety Club screening room in San Francisco
and then at the Saul Zaentz Media Center in Berkeley. The print looks and sounds great and is ready to go out into the world! The Zaentz screening was in a beautiful little screening room used to score The English Patient. Thanks to Jim Le Brecht, Gary Coates, Anne Maroon, Anna Stenberg, John Crossley and Traci Loth. Ready to go to Sedona!
